Graphic designer, artist, self-publisher and gender-queer activist. She is part of the multimedia art collective ELAF. Among others, they held a four-part exhibition at Debatterie by thealit/Bremen Nov 2018 with variations on the topic of abjection. They are part of the Dynamic Archive Project launching in Summer 2019. Franziska Bauer is also co-editor, writer and graphic designer of the annual self-published, queer-feminist maga_zine Purple Scare.
An art historian with a doctorate in artistic publishing strategies since the 1960s. She works at the Institut für Experimentelles Design und Medienkulturen Basel in the research project «Institutions as a Way of Life» on the legacy of institutional critique, funded by the Swiss National Science Foundation (SNF). She also publishes regularly on self-publishing, education and art criticism, most recently the monograph «Study, Not Critique» (transversal 2018). She is co-editor of the magazine Brand-New-Life and a member of the Art Commission of the Culture City of Bern.
She studied graphic design with a focus on editorial design and typography in Hamburg. In 2016 she published the award-winning book «das Lethe-Kompendium», which has been exhibited several times worldwide. In this book, she acted as editor, author, artist, curator, and graphic artist and devoted herself to publishing as an artistic practice. After stays in Amsterdam and Berlin, she now works in the studio of the Hochschule der Künste Bern in Switzerland. Since 2017, she has also been studying Design Research at the Bern University of the Arts in Master Design, is an Associate Researcher in the research project «Swiss Graphic Design and Typography Revisited» and Researcher in the field of Design History at the Bern University of the Arts.
Designer, professor, and researcher. He is based at the Bern University of the Arts HKB, where he teaches design history, directs the MA Design course, and coordinates the Research Field Design History. He organised the symposium «Mapping Graphic Design History in Switzerland» (2014), edited a publication of the same name with Davide Fornari (Triest, 2016), and is co-coordinating the research project «Swiss Graphic Design and Typography Revisited,» funded by the Swiss National Science Foundation (SNSF) Sinergia programme (since October 2016).
She studied Fine Arts and Philosophy in Amsterdam, received a studio scholarship at the Rijksakademie van beeldende kunsten, and earned her doctorate in England. She combines the philosophy of language with visual means and publishes her books. 2004-2009 lecturer at the Gerrit Rietveld Academie Amsterdam, regular exhibitions and publications at home and abroad. Since 2014 lecturer at the Hochschule der Künste Bern (Y Institute, Design, and Art: Fine Arts). www.tinemelzer.eu
She works as a freelance graphic designer at the Atelier Mirabella-Morganti in Zurich, mainly for clients from the cultural and educational sectors. She teaches in the Department of Design at the Zurich University of the Arts and works there in the Graphic Design Collection of the Museum of Design. She has been studying Design Research at the HKB / MA Design since 2017.
Since 2001 she was the partner of the studio «Prill Vieceli Cremers», former «Prill&Vieceli» and realized commissions in the cultural sector as well as self-initiated book projects such as «MONEY» (2015) and «Under the Radar – Underground Zines and Self-Publications 1965–1975» (2017). 2018 she has started her studio and collaborated with different artists, designers, and networks. Tania Prill is teaching at universities in Switzerland and abroad. She was a professor of communication design at the Karlsruhe University of Art and Design and since 2010 is a professor of typography at the University of the Arts Bremen where she is in charge of the Archive of Independent Publishing.
studies at the School of Visual Combinations, MA Studio Integrated Design HfK Bremen
develops projects in various media to negotiate the evolving relationship between art, architecture and media society. She founded the collective m-a-u-s-e-r (together with Mona Mahall), which exhibits and publishes internationally. She is editor of Junk Jet (since 2007), an independent magazine for art, architecture, and media. Asli Serbest works as a professor at the HfK Bremen.
Studio Harris Blondman
is the award-winning graphic design studio of Harry Bloch and Joris Landman. The Swiss-Dutch studio combines classic editorial and design knowledge with new media expertise and creative coding and works at the cutting edge of graphic tradition and digital experiment. www.harrisblondman.nl
An art historian with a doctorate in late-absolutist urban planning, curator, critic, text and cultural worker. Activities at various museums, including 1999/2000 as curator of the Kunstverein in Konstanz. From 2001-2015 he worked in different management positions at the F+F School for Art and Media Design in Zurich, from 2011 as its rector. Since 2015 he has been involved in the function of Head of the Department of Design and Art at the HKB Hochschule der Künste Bern. Andreas Vogel was a member of the Art Commission of the City of Zurich from 2006 to 2014, a member of the jury of the Guggenheim Foundation from 2013 to 2018 and has been a member of the Board of Trustees of the Bern Design Foundation since 2016.